태그 : madlib

Jackson Conti



Go!

여름이 왔고. 뭘 기다렸는지 모르지만, 작년에 Yesterday's Unverse 에서 선보였던 프로젝트 Jackson Conti.
나왔네. Azymuth 의 드러머 Ivan Conti 'Mamao' 의 합작입니다.

이건 B+ 의 증언(?)

Jackson Conti: Sujinho

Madlib loves Brasilian music.

Back in 2002 that wasn’t so obvious. At that time he was beginning the experiments that led to the Yesterday New Quintet records from 2003 to today. Peanutbutter Wolf used to slide Coleman and myself CDs of those early “rehearsals” as Madlib would call them and we spent many hours dissecting and discoursing on them and how he was changing the music.

When the possibility of the Keepintime crew going to Brasil came up I asked Madlib one night outside the Rootdown if he wanted to go. “Cmon man…. Azymuth is one of my favorite groups” he confided. I had seen many Azymuth records over the years, the Rio de Janeiro trio on Milestone with some dodgy looking covers. I knew their proto-house anthem Jazz Carnival but they weren’t my favorite group.

Music has a beautiful way of making you re-evaluate what you may have discarded. Madlib is an artist that gives one new ears every couple of years if you choose to pay close enough attention. I’m happy to say that in regards to Azymuth - Madlib blew our heads open. The next time I saw him at the Rootdown, he slipped me a CD of covers. All Azymuth. To this day that CD still makes me giddy. Entrando Pelo Janela from that session made it onto the Keepintime remixes. Madlib had gone through the Azymuth catalogue and taught himself to play his favorite songs and then recorded it. Okay. Now I’m back at the record store frantically looking for those dodgy looking covers.

When we went to Brasil to recruit drummers the only name I knew I wanted for sure was Mamão. Mamão is the drummer of Azymuth. I didn’t know how to pronounce his name right and indeed my pronunciation of Azymuth (Azze-muchi if you need to know how its done!) confused most Brasilians. João Parahyba of the legendary Trio Mocoto picked up the phone and called him for us and from there Ivan ‘Mamão’ Conti was a part of the project.

Mamao is a fantastic drummer and a warm generous person. That scene in the film where we played him the Madlib CD is a beautiful emblem of the spirit of the Brasilintime. Mamão reacted with genuine excitement at the music - singing and playing percussion along with it. Even calling in his wife to hear. We knew that a Madlib, Mamão collaboration would only take time and organization.

Mamao of course isn’t simply the drummer of Azymuth. He has a long career in the studios of Rio that stretches back to the Jovem Guarda era with the rock group the Youngsters and which includes sessions for Roberto Carlos, Marcos Valle, Maria Bethania, Hyldon, Edu Lobo, Chico Buarque, Gal Costa among many others. He is also the drummer on the Dom Salvador record with the monster break! He continues to be active playing and producing many projects for Far Out Records.

In 2006 after the Premiere of Brasilintime in Sao Paulo, Madlib, Coleman and I went to Rio. We had two reasons to be there, to play at MD2’s record release party and record with Mamão. On a rainy humid Rio evening we convened and after some deliberations Mamão played an hour and half of rhythms. The excitement in the room was palpable as he went through his paces. Lots of Whooos were heard and pounds were swapped.

Madlib then played a new CD of tracks that he had been working on with this project in mind and there was one that stuck with Mamao. Segura esta Onda is that track and it is really a tribute to Azymuth. Mamao ended up singing on it.

It was a great night and within two months Madlib had turned those rhythm tracks into the album you have in your hands.

Filled with songs from the greats of Brasilian music of the mid sixties to early seventies. Luiz Eca, Chico Buarque, Joao Donato, Baden and Vinicius, Marcos Valle, Dom Um Romao, Airto even George Duke gets a look in. And of course Azymuth.

This a very special set of music.

I hope you have as much fun listening to it as we did watching it being made….

B+
Los Angeles
December 2007



[2008.00.00] Jackson Conti are Madlib & Mamao from Azymuth - Sujinho (Kindred Spirits)

So, Madlib loves Brasilian music eh? Professing his love for Brasilian music and especially that of Ivan 'Mamao' Conti, the incredible session drummer well known for his work with legendary group Azymuth, and participant in the Brasil leg of the Keepintime project from a couple of years back. Madlib has obviously relished this opportunity to work with one of his heros and the results are total gold, marrying the slinky rhythmic charge of Conti with Madlib's inimitable musical mind to create a future summer staple. The album runs through classic Brasilian standards from the greats of mid sixties to early sevenites like Luiz Eca, Chico Buarque, Joao Donato, Baden and Vinicius, Marcos Valle, Dom Um Romao, Airto Moreira or Azymuth, and mixes them with new tracks devised from the sessions and scultped by Madlib into the breezy summer winners packed into the 18 tracks on offer. Highly recommended!

by 정도현 | 2008/05/02 22:07 | [The Chosen One] | 트랙백 | 덧글(6)

20 Questions + Whenimondamic




[20 Questions + Whenimondamic]

Madlib, DJ Romes, Wildchild 가 96년 최초 Lootpack 이란 체제로 등장한 후 놀다 놀다 Stonesthrow 와 계약을 하고 심심해서 하루만에 해본짓이 The Lootpack 의 1집이다.(엮인글 - Madlib 의 인터뷰 - 를 참고하세요.) 미니홈피에도 끄적 거렸었는데, 난 이들의 앨범을 처음부터 '왓!!!!!!!!!!!'하고 들었던 건 아니다. 처음에 들었을때도 '참 더럽고, 티껍다.'란 생각이 들었었고, 지금도 '더러울뿐아니라 티껍기 까지 하다'란 생각을 하고 있다. 근데 그들을 좋아하고 나름 애착을 가지고 접하는 이유가 바로 '드러움' 때문이다. 50달러 들여서 앨범 만들었는데 연결 연결 모양새도 이 '더러움'이란 것 안에서 참 감칠맛나게 구성했고, 이후 Quasimoto, YnQ 등등 여러 프로젝트들이 있었지만, Madlib 이 가지는 'The Lootpack'으로서의 정체성이 여전함을 볼때 진짜 존나 위대한다는 경외심만 든다.

그냥 이 뮤비를 뽑아본 이유는, 실제 앨범에서의 위치가 상당히 떨어진 두 트랙을 이렇게 붙여놓으니 되게 간지산다는 것 하나와 'Whenimondamic' 의 마지막 부분에 깨어진 LP판을 붙이는 장면이 무척 맘에 들어서 이다. 그들의 상상의 조각들을 얽히 섥히 엮고, 붙혀서 눈깜짝할 사이에 이런 앨범 한장이 나온다는 믿기 힘든 사실에 고개를 조아려본다.

Make Them Clap

 

by 정도현 | 2007/02/22 20:33 | [The Chosen One] | 트랙백 | 덧글(0)

Green Power.

 
장난 아니게 독설적이고, 보면서 유쾌할 내용 아니고,
뭐 그렇다고 늘상 해쳐먹는 방법으로서의 토로도 아닌데,
웃게 되고, 박히고, 씁쓸하고, 그렇다.
 
Quasimoto 의 독보적인 세계가 다음번에 어떨지 모르지만,
일단 인간아닌 스케잎과 의지, 리스펙트는 기본으로 갖추고,
튀어나오겠지. 어줍잖이 20~30년 음악들었다고
주둥아리 놀려도 될 법한 음악을 하는 존재가 아니다.
Madlib.
 

by 정도현 | 2007/02/17 15:47 | [The Chosen One] | 트랙백(1) | 덧글(8)

Make Them Clap

질감을 빚어낸다는 것이 바로 이것.

톤의 운영이라는 것이 바로 이것.

기복없는 Rap 이란 것이 바로 이것.

Hip-Hop 이라는 것이 바로 이것.

Leader 라는 것이 바로 이것.

자 다들 Follow the leader..!!

by 정도현 | 2006/09/25 21:29 | [The Chosen One] | 트랙백(5) | 핑백(2) | 덧글(2)

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